I think I saw AZALI while randomly browsing Bandcamp but dismissed them because almost all their releases were individual songs, and especially on Bandcamp, I much prefer EPs and albums in the 15 minute-1 hour range. Still, I'm checking out both.
For AZALI I picked one whose title looked cool: https://azali.bandcamp.com/track/108111118101-121111117 - I'm not sure how representative this piano piece is of their greater output, but it's got a nice sort of emotional arc to it.
M2U actually has albums! So I put on DIVERSITY. So far, I like the sounds of the string and piano arrangements, and the synths where they appear, but once you add the autotuned vocals it kinda sounds like something from a 2000s video game, and those vocals make it harder to take seriously. (I'm also interested in the fact that M2U's publishers is called "FLUXUS", which is also a name of a 60s and 70s avant-garde art collective that famously included musicians like Yoko Ono. I wonder if there's any actual connection beyond the name.)
Seems I misjudged the M2U album by its first two tracks... it's looking to be more of a progressive house and modern dubstep album, which I have mixed feelings about for different reasons. I was never a particular fan of those subgenres in the first place, I find them too loud and annoying. But the production is at least competent, no outright terrible drops and the synths have some variety instead of the same settings every single track.
Also I would like to correct my post: AZALI does have albums... but they're all very short. It also seems that they are a more varied artist too, but still very classical influenced. I'm liking "LOOKING GLASS LUMINESCENCE" off their newest album a lot (certainly more than anything on that M2U album), it is very unique